18” FRX Chinese
It doesn’t matter how hard you hit them, FRX are never too loud for the mics onstage or the crowd in the room. If you’re constantly being asked to hold back on gigs, FRX may be for you. They’re not practice cymbals – they’re B20 bronze and they sound AMAZING.
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Style: Modern
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Metal: B20
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Sound: Mixed
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Finish: Natural
Featured FRX Cymbals
FRX 18″ Crash
The SABIAN 18″ FRX Crash is a pro-level, extra-thin B20 Bronze crash that delivers quick, shimmering response and exceptionally soft feel. It is NOT a low volume cymbal. Rather, it works by cutting specific frequencies that result in the perception of volume.
Remove those frequencies, and suddenly your 18″ FRX Crash sits perfectly in the mix, no matter how hard you play. No compromise – no holding back. FRX are ideal for playing churches, weddings, corporate gigs, small venues, schools, musical theater, cruise ships, drummers who sing, band rehearsals, or any setting where cymbal volume could be a problem.
FRX 22″ Ride
The SABIAN 22″ FRX Ride is a pro-level, B20 Bronze light ride that provides dark, crisp sticking with buttery-soft feel. It is NOT a low volume cymbal. Rather, it works by cutting specific frequencies that result in the perception of volume.
Remove those frequencies, and suddenly your 22″ FRX Ride sits perfectly in the mix, no matter how hard you play. No compromise – no holding back. FRX are ideal for playing churches, weddings, corporate gigs, small venues, schools, musical theater, cruise ships, drummers who sing, band rehearsals, or any setting where cymbal volume could be a problem.
FRX 15″ Hats
15″ FRX Hats are a pro-level B20 Bronze pairing that delivers exceptional versatility, clean sticking and crisp response. It is NOT a low volume cymbal. Rather, it works by cutting specific frequencies that result in the perception of volume.
Remove those frequencies, and suddenly 15″ FRX Hats sit perfectly in the mix, no matter how hard you play. No compromise – no holding back. FRX are ideal for playing churches, weddings, corporate gigs, small venues, schools, musical theater, cruise ships, drummers who sing, band rehearsals, or any setting where cymbal volume could be a problem.